Bela Fleck and the Flecktones Live at Jammin' on Main
CapCoverag@aol.com
By Todd Ethan
(c) Capital Coverage News Service
You interested in a little innovation? Then how about twisting and turning
the bluegrass/Appalachian groove until it spills out with a little fusion
Jazz. If you can dig that, then get out to you're local music stores and buy
up whatever you can on Bela Fleck and The Flecktones.
Friday night, Cincinnati hosted Jammin on Main, and Jammin on Main featured
Bela Fleck and The Flecktones. You wouldn't believe how many people I talked
to, walking to Cinergy Stage, that told me they only came to see Bela. I was
thinking, "What about the other bands?" Well to many, there weren't any
other bands.
The Flecktones went on around 10:15 to an impatient crowd of partygoers and
flat out outrageous fans. Fans who you might see at Dave Matthew's shows, or
maybe Widespread Panic, completely surrounded the Cinergy stage, as even more
"late arrivals" came to weave their way up front for better looks.
The Flecktones came out with a banjo, a bass guitar, saxophones, and a space
age drum/guitar (compliments of the Future Man*).
Shortly after their introduction they started jamming, one following the
next, all adding a personal touch to where they felt like taking the song.
The bassist played his bass like an Upright, walking up and down the groove
and adding a little off beat flavor. It was said that he was voted "Bassist
of the Year" three time this year. Bela had his thing going on with the
banjo, mixing his down-home style with an occasional overdrive, plug-in,
electric version of the banjo.
And when the horn section (one man) felt like it, he'd start in with either a
tenor sax, a barotone sax, or maybe two saxophones at once. You know, just to
throw you off.
The way they felt their ways through the jam was almost magical. Seemed like
all of them were off in opposite directions but staying in same world. A band
that know's their song's to a point that they can trust everyone's going to
be right where they need to be, leaves room for the innovation I was speaking
of.
This type of live performance is, in my opinion, the truest for
self-expression through music.
Everybody dances at a Flecktone show, all worries and trouble are set aside,
and you just dance. I'm tellin ya, it's a groove from the future. Experience
Bela Fleck and the Flecktones!
*The Future Man was given this name because he invented what looked like a
drum/guitar synthesizer, whereas you'd play percussion with a pedal and the
notes on the fretboard. A typical beat would have been impressive, but the
Future man would go on to throw samples, double beats, and whatever else he
has up his sleeve at the time. And get this, he sings too.
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Bela Fleck at Jammin' on Main-- REVIEW (c) 1999 Capital Coverage
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